Tang's Elbow rest
Place of Origin
Culture/Period
Date From
618
Date To
907
Materials
Height (cm)
5
Width (cm)
9.2
Length (cm)
11.5
Credit Line
Accession Number
HKU.C.1961.0244
Description
The elbow rest consists of three colours (green, yellow, brown ), which are the primary colours of the Tang dynasty Sancai glaze's (University Museum and Art Gallery, 2021) . Sancai glaze , namely ‘ tri colour glaze’ ( National Museum of History Republic of China , 1988). The name ‘tri colour glaze’ can be explained by the three colours of the elbow rest above (University Museum and Art Gallery, 2021) . It can also be referred to multicolour, as
in Chinese tradition , ‘three’ means ‘several’ ( National Museum of History Republic of China , 1988).
The colours are produced by adding different chemicals to the clear glaze. ( Valenstein , 1975) For instance , green colour is produced by adding copper oxide , while yellow and brown colour is created by adding iron oxide. ( Valenstein , 1975)
Moreover ,dripping effects on the elbow rest are created during the heating process. When the clay is heated , glazes melt and freely flow down. ( National Museum of History Republic of China , 1988)
Sancai glaze is commonly used in the Tang dynasty's funerary objects, which served as ‘ming qi’, objects for the dead to use ( National Museum of History Republic of China , 1988).
The Chinese ancestor reckoned that spirits live on and can enjoy funerary objects in their afterlife ( National Museum of History Republic of China, 1988) Since Sancai is the symbol of wealth of the living world , the Tang Chinese hope to continue enjoying wealth after dead (University Museum and Art Gallery, 2021).
in Chinese tradition , ‘three’ means ‘several’ ( National Museum of History Republic of China , 1988).
The colours are produced by adding different chemicals to the clear glaze. ( Valenstein , 1975) For instance , green colour is produced by adding copper oxide , while yellow and brown colour is created by adding iron oxide. ( Valenstein , 1975)
Moreover ,dripping effects on the elbow rest are created during the heating process. When the clay is heated , glazes melt and freely flow down. ( National Museum of History Republic of China , 1988)
Sancai glaze is commonly used in the Tang dynasty's funerary objects, which served as ‘ming qi’, objects for the dead to use ( National Museum of History Republic of China , 1988).
The Chinese ancestor reckoned that spirits live on and can enjoy funerary objects in their afterlife ( National Museum of History Republic of China, 1988) Since Sancai is the symbol of wealth of the living world , the Tang Chinese hope to continue enjoying wealth after dead (University Museum and Art Gallery, 2021).
Citation
“Tang's Elbow rest ,” 3D Objects at UMAG, accessed November 15, 2024, https://cchu9080.lib.hku.hk/items/show/60.