1 10 2 https://cchu9080.lib.hku.hk/files/original/82/IMG_3164.JPG ab7d53a34959b7a1dbaaa5dc60c77c29 https://cchu9080.lib.hku.hk/files/original/82/IMG_3169.JPG 92ce14528adb8eb83075afac07831728 https://cchu9080.lib.hku.hk/files/original/82/File_017.jpeg 17eab7f33bfc99bbdd9d3876791a9a83 https://cchu9080.lib.hku.hk/files/original/82/model_[17].json ee5adb9466b62dc5949a18201d5f62aa 3D Model A 3D rendering of a physical object. Place of Origin The geographic location where an object was made Korea Culture/Period A broad historical period, archaeological culture, or artistic movement in which an object was made Goryeo dynasty Date From Enter the lower end of the date range, only enter a number without any label and use negative for BCE. For example: enter '220' for 220 CE or '-220' for 220 BCE 918 Date To Enter the upper end of the date range, only enter a number without any label and use negative for BCE. For example: enter '220' for 220 CE or '-220' for 220 BCE 1392 Materials What an object is made of, including any later additions (mounts, frames, etc.) Stoneware Height (cm) 9.0 Width (cm) 12.0 Accession Number A unique identifier for an object HKU.C.1964.0552 Description A short physical description of the object with an overview of its historical and social significance This ewer has a shape and function similar to a modern teapot; to carry and pour water. It is incised with flowers, lotus leaves and bushes, and together with its overall dark green glaze, this ewer is a notable variation of Goryeo celadon wares (sanggam cheongja), an inlaying technique developed and widely used during the Goryeo dynasty. The production method of celadon itself was introduced by China in the 10th century, so celadon wares like this embody past cultural and technological exchange between China and Korea. Towards the end of the Goryeo dynasty, frequent invasions by Mongolians deteriorated the maintenance of techniques to make celadon wares like this, so their styles became more simplified over time. The incision of flowers and bushes is not specific to a particular religion, though lotus leaves may be pointing to the prevalence of Confucianism and Buddhism during the Goryeo dynasty. Other Goryeo celadon wares are incised with legendary creatures like dragons and haetae (lion with a horn), and celadons with such patterns were also observable in China. For example, a funerary jar (HKU.C.1996.1076) produced in China during the Southern song dynasty (1127-1279) is also a celadon ware with green glaze, and is incised with a dragon. The use of incised celadon wares instead of ordinary ceramics to make ewers like this suggests that teatime was an important cultural aspect of people’s daily life during the Goryeo dynasty. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ewer Source A related resource from which the described resource is derived https://www.umag.hku.hk/en/collection_detail.php?id=95484567 celadon greenware teapot https://cchu9080.lib.hku.hk/files/original/110/IMG_4561.JPG 759d1cb10e24488303eff598f886f5c4 https://cchu9080.lib.hku.hk/files/original/110/IMG_4847.JPG e7374936326d82ec2a16ad8e190fc250 https://cchu9080.lib.hku.hk/files/original/110/IMG_4875.JPG aeb0533767b3166791b7b9f39b20f7ef https://cchu9080.lib.hku.hk/files/original/110/IMG_4931.JPG 3fdb5df7359b95c045eb06fb0ee7c904 https://cchu9080.lib.hku.hk/files/original/110/IMG_4611.JPG 5363ce1195cf5e0f018af10088a72a96 https://cchu9080.lib.hku.hk/files/original/110/IMG_4630.JPG 9db0805174db44add944bc171ed68c27 3D Model A 3D rendering of a physical object. Place of Origin The geographic location where an object was made Korea Culture/Period A broad historical period, archaeological culture, or artistic movement in which an object was made Joseon period Date From Enter the lower end of the date range, only enter a number without any label and use negative for BCE. For example: enter '220' for 220 CE or '-220' for 220 BCE 1392 Date To Enter the upper end of the date range, only enter a number without any label and use negative for BCE. For example: enter '220' for 220 CE or '-220' for 220 BCE 1912 Materials What an object is made of, including any later additions (mounts, frames, etc.) Stoneware Height (cm) 28.2 Width (cm) 15.6 Accession Number A unique identifier for an object HKU.C.1957.0210 Description A short physical description of the object with an overview of its historical and social significance The grey colored wine jar is glazed and slightly decorated with black wavy lines drawn by a brush, and overall speaking is very simple. There are protruding rings around the jar, making the jar more decorative. The jar is protected rather well, though there are a few visible cracks on it, which could be made during the firing process. The bottom and the rim of it was repaired. The jar could be crafted from clay with a high iron composition, as from the chipped parts of the object one could see that the unpainted parts are of a reddish color. Judging the pottery’s greenish grey body and the black slip, the jar should be of the Punch’ông style, which usually comes out of a similar color, although the slips are white in color. As the Punch’ông pottery are usually from the 15 and 16 century, one could assume that the wine jar was made in the 15 or 16 century. The pottery is used as a wine jar, and, by judging its simple decoration, it could be used at a restaurant or a wine tavern. Also, as it does not have any handles on it, it is assumed that the container is placed on a table rather than hung onto walls or being carried by waiters. Also, as the wine jar is large in volume, which normal domestic families would not be able to use, one could suggest that the jar was used commercially. Source: Hammer, E., & Smith, J. E. (2002). The Arts of Korea: A Resource for Educators (Pck ed.) [E-book]. Metropolitan Museum of Art. https://hkuhk-my.sharepoint.com/personal/pcobb_hku_hk/_layouts/15/onedrive.aspx?originalPath=aHR0cHM6Ly9oa3Voay1teS5zaGFyZXBvaW50LmNvbS86ZjovZy9wZXJzb25hbC9wY29iYl9oa3VfaGsvRXZldlNCTG5qeHBIdkoybnQxM3p3c1FCSlVjZkdlOFNicmxraFMwcEI5c2s0UT9ydGltZT1vVXNldl9fNjJFZw&id=%2Fpersonal%2Fpcobb%5Fhku%5Fhk%2FDocuments%2Fcoursework%2F2021ASpring%2DCommonCore%2Fresources%2FCeramics%2FThe%20Arts%20of%20Korea%2Epdf&parent=%2Fpersonal%2Fpcobb%5Fhku%5Fhk%2FDocuments%2Fcoursework%2F2021ASpring%2DCommonCore%2Fresources%2FCeramics Artist/Maker The name of the artist, maker, or workshop that made the object N/A Credit Line The name of the individual or institution that donated the object to the museum, the source of a purchase, or the name of a loaning individual or institution N/A Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wine Jar